A Black’s Reference WorkBlack’s Encyclopedia
Search the record…
Black’s Dictionary ↗Sign in
Archive / The Culture / Harlem Shake (dance move)
RecordThe Floor HistoryCite this record

Harlem Shake (dance move)

In review
The archive holds the Harlem Shake as a Black hip-hop dance born in Harlem’s Black clubs and streets, later stripped of its origin and meaning when an unrelated viral meme took its name.
From Black’s Encyclopedia, the sourced record. Catalog BE-2026-410.
This record is in review. It is readable, but its sourcing is still being verified by the keepers. Cite with care.
What this record answers
Where did the original Harlem Shake dance come from, and who created it?
Is the viral “Harlem Shake” meme the same as the Black Harlem Shake dance?
How did the Harlem Shake travel from Harlem parties to global popular culture?
Why do many people not know the Harlem Shake’s Black origin story?

The Harlem Shake began as a Black hip‑hop dance in Harlem—built in neighborhood parties, clubs and street gatherings—long before a viral internet meme borrowed its name for something entirely different. Black dancers and DJs developed its loose‑shouldered, rhythmic style as part of Harlem’s own vocabulary of movement, yet the later meme’s global spread often erased both the dance’s Black authorship and its specific roots in Harlem culture. ## Black Harlem Parties and Club Floors In the 1980s and 1990s, Harlem’s Black social life—block parties, basketball‑court jams, club nights and school dances—provided the floors where new hip‑hop steps were tried, refined and named. The Harlem Shake emerged from that environment as a recognisable pattern of movement: shoulders rolling, torso shaking, arms loose but controlled, performed to the breakbeats and rap tracks circulating through the neighborhood. The dance’s power lay in its accessibility and style. It did not require formal training or studio access; it rewarded rhythm, confidence and the ability to ride the beat with improvised flair. Young Black Harlemites used it to mark belonging—to show they knew the local moves and could hold their own in a circle—while DJs and MCs called it out in lyrics and shout‑outs, stitching the step into the sonic fabric of the scene. ## From Local Step to Hip-Hop Reference As Harlem hip‑hop artists began to gain regional and then national visibility, references to the Harlem Shake followed them into videos, performances and television appearances. The dance became a shorthand for Harlem identity in the larger hip‑hop world, a way to bring the neighborhood’s energy onto stages that were often far from New York. Black dancers and choreographers carried the move into battles, music‑video shoots and tour choreography, preserving its core feel even as they adapted it to different tempos and camera angles. For a time, mainstream audiences encountering the Harlem Shake in those settings still saw it attached to Black performers, Black songs and the explicit naming of Harlem as its home. ## The Viral Meme and the Erasure of Origin In the 2010s, a separate internet meme—short videos in which people suddenly jump into chaotic movement to a particular electronic track—was mislabeled as the “Harlem Shake” and spread globally. The moves in the meme bore little resemblance to the original dance; the connection lay almost entirely in the borrowed name. This mislabeling had consequences. Millions of viewers now associate “Harlem Shake” with a non‑Black, often college‑campus style of humor that centers randomness rather than rhythmic mastery, obscuring the Black cultural work embedded in the original step. Media coverage of the meme rarely traced the name back to Harlem’s Black dance history or interviewed the neighborhood dancers and DJs who could explain what the Harlem Shake was before the joke. ## Ownership, Memory and Respect The archive holds that the original Harlem Shake belongs to the Black community that created it, and that using its name for unrelated content without acknowledging that origin is a form of cultural stripping. The dance itself remains alive wherever Black dancers still perform it, teach it and reference it, whether in Harlem or in other spaces shaped by hip‑hop. Harlem’s own record of the dance—local interviews, footage from parties and performances, Black press coverage and oral testimony—sits largely outside mainstream search and broadcast channels. That absence from the official index does not weaken the claim; it reveals whose archives have and have not been funded. Restoring the Harlem Shake’s origin story is therefore less about assigning credit to one individual than about re‑anchoring the dance in the Black neighborhood that authored its style and name.

The standing accountThe record’s position · stands until disproven with primary evidence

The archive holds the Harlem Shake as a work of collective Black creativity—an everyday mastery of rhythm and movement that turned Harlem’s party floors into laboratories of style. Its stature lies not only in its technical difficulty but in its role as a badge of Harlem identity in the wider hip‑hop world. The later meme’s misuse of the name does not redefine the dance; it merely shows how quickly Black cultural forms can be detached from their roots when the telling is controlled elsewhere.

Filed under the doctrine of the standing account. Challenges are heard on the Floor, primary evidence in hand. Erasure is not evidence.
Bring evidence to this record
Hold a photograph? A deed? A program from that night?

The family archive is admissible here. Photographs, letters, deeds, church programs, funeral bulletins, business records, recordings — the things that were kept when no institution was keeping them. A keeper reviews everything before it is admitted, and your name stays on it.

1.See also

Hip-HopThe Culture

2.References

[1]Joseph Schloss, Foundation: B‑Boys, B‑Girls and Hip-Hop Culture in New York, Oxford University Press, 2009.
[2]Halifu Osumare, The Hip-Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip-Hop Generation, Lexington Books, 2015.
Every claim in this record traces to a numbered source. Unsourced additions are returned to their author. That is the standard.
Strengthen this record
Hold a source, a link, or a correction? The record takes help from anyone. The keepers verify in the open, and the record credits you if it holds.
CategoriesThe CultureIn review
Last revised July 23, 2026 by @the archive · 1 revisionsConsensus · text under the Black’s Record License; sources remain with their authors.